Fruit Paintings to Contemplate the Transience of Life

The Italian painter Giuseppe Arcimboldo is best known for his imaginative portrait heads made entirely of objects such as fruits, vegetables, flowers, fish, and books. Known as a 16th-century Mannerist, Arcimboldo tended to show close relationships between human and nature, but also show his appreciation of nature. The painting Summer from 1573 shows a head entirely made from seasonal fruits. Some scholars believe that Arcimboldo’s unique portraits present an inversion - when the ugliness seems beautiful, or the disgrace exceeds the beauty.

Featured image: Giuseppe Arcimboldo - Summer, 1573. Oil on canvas. Captions, via Creative Commons

A painting by Michelangelo Merisi da Caravaggio created circa 1599, Basket of Fruit shows a wicker basket perched on the edge of a ledge with an assortment of summer fruits. Teetering on the edge of the picture-space, the basket seems in danger of falling out of the painting and into the viewer's space. Generally in less than perfect condition, the majority of fruit seems worm-eaten and insect-predated. It is believed that the general theme focuses on the fading beauty and the transience and natural decay of things. Scholars also describe the fruit painting as a metaphor for the Church.

Featured image: Caravaggio - Basket of Fruit, c. 1599. Captions, via Creative Commons

Painted by the Baroque Spanish artist Francisco de Zurbaran, Still Life with Lemons, Oranges and a Rose from 1633 is considered a masterwork of the genre. It is also the only still life painting that was signed and dated by the artist. Showing three group of objects painted against a dark background, the artist isolates the objects from one another in a composition that appears conscious. Appearing as static due to the dark background, these objects seem completely detached from the context of everyday life and humans. Since many Zurbaran’s works revolve around Christian themes, some critics interpret the painting as a metaphor for the Holy Trinity or an homage to the Virgin Mary.

Featured image: Francisco de Zurbaran - Still Life with Lemons, Oranges and a Rose, 1633

During Vincent van Gogh’s early artistic career, still life was the subject of many drawings, sketches, and paintings. Often somber in color, the majority of still lives made in the Netherlands are dated from 1884 to 1885 while the artist was living in Nuenen. During this period, van Gogh experimented with color, light, and techniques he learned from modern artists. In the painting Still Life with Vegetables and Fruit created in 1884, he experiments with the use of light falling across objects. He believed that the use of dark colors was more realistic and mature.

Featured image: Vincent van Gogh - Still Life with Vegetables and Fruit, 1884

The painter Paul Cezanne used the still life genre to advance ideas about what modern art could look like. His still life illustrations are viewed as a mixture of both traditional and modern – while the fruits and vegetables in his pieces are easy to identify, they appear as decorative items. The painting The Basket of Apples from 1885 is full of odd errors in drawing, such as the lines that represent the close and far edge of the table, the bottle looks tipsy and the cookies are very odd. Cezanne tended to show that the illusion of space that was constructed since the Early Renaissance is not a real experience of human sight.

Featured image: Paul Cezanne - The Basket of Apples, 1885. Captions, via Creative Commons

Created in 1909, painting The Dessert: Harmony in Red is considered by some critics to be Henri Matisse’s masterpiece. This Fauvist painting follows the example set by Impressionism with the overall lack of a central focal point. To create this painting commissioned for the dining room in the Moscow mansion of the famous Russian collector Sergey Shchukin, Matisse turned to a motif common in the works created that year – a room decorated with vases, fruits, and flowers. Using a red color that swallows up the three-dimensional space of the room as a compositional device, the artist did manage to create an impression of space.

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Featured image: Henri Matisse – The Dessert: Harmony in Red, 1909, via arthermitage.org

Created in 1909, painting The Bread and Fruit Dish on a Table is considered one of the grandest Picasso’s works during the early alliance with Georges Braque. Having an unusual size and shape for a still life, the composition was adapted from studies for one of his own pictures of costumed figures seated around a drop-leaf table. In the fruit painting, Picasso makes a network of allusions to Cezanne’s above-mentioned piece. He borrows favorite motifs, imitates formal devices and emulates Cezanne’s innate sense of ceremony, making the laden table a kind of secular altar.

Featured images: Pablo Picasso - Bread and Fruit Dish on a Table, 1909, via pablopicasso.com

In the last years of her life, Frida Kahlo produced several still life paintings that were often biographical. In the painting Still Life With Parrot and Fruit from 1951, the colors are still vivid and the detail precise. Becoming dependent on painkillers in the subsequent years, the quality and focus of her work dramatically changed. The painting shows fruit cut open, possibly referring to the surgeries she endured throughout her life. The abundance of native fruits also reflects her passionate embrace of Mexicanidád.

Featured image: Frida Kahlo - Still Life With Parrot and Fruit, 1951. Oil on canvas. Captions, via James O'Keefe

Setting himself the challenge to paint the Great American still life, Tom Wesselmann created a series of still lives where he mixed conventional oil painting with collage elements. The new type of genre painting he created celebrated the shining consumer lifestyle that was a product of the American dream. Showing an intimate tableau of clean and wholesome American domesticity, painting Still Life #28 presents a blueprint for the freedom, harmony, and prosperity of the promised land. The painting is a precise composition, anonymous in the materials, yet highly sophisticated in its construction.

Featured image: Tom Wesselmann - Still Life #28, 1963, via learnodo-newtonic.com

David Hockney used still life, one of the most traditional genres of painting, as a template upon which he subverted traditional perspective and notions of depth while trying to depict one true reality. In the painting Fruit in a Chinese Bowl created in 1988, Hockney adopted a kind of non-perspective space, assuming that the viewer was located within the place of the picture. In this way, he consciously and simultaneously connected multiple vantage points. The distinctive shape of each fruit in the bowl is complemented by a wealth of color and attention to detail referencing the realistic depictions in still lives of the Seventeenth Century.

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Featured image: David Hockney - Fruit in a Chinese Bowl, 1988. Oil on canvas. Via pinterest.com