What is offered here is a reading of archives that begins with recognition of a syntax of resemblance between two performative mass murderers with big ambitions: Eric Harris and Vladimir Putin.
"The National Gallery of Canada: Ideas, Art, and Architecture examines the National Gallery as an institution, a collection, and a series of sites for the display of the nation's art.
The paradox is that this word circulates less as this word, "enfant," than as, in the vocabulary of Différence et répétition (1968), an Idea, whose differential virtuality is multiple, and that differenciates, or actualizes, across the ...